Steve Mennie
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Artist Statement:
From as far back as I can remember I have been fascinated by the
ambiguous nature of "reality" and our attempts to "make sense" of
seeming chaos. For some years now my own personal attempt at making
sense has involved working as a painter and print maker in the creation
of images. These images have been described as 'high' or 'photo'
realist and great pains were taken in hiding the means utilized
in their creation. By this I mean that the final image was my goal
and I wished to present this image in as cool and detached a manner
as possible. To this end the medium (usually acrylic polymer emulsion)
and techniques used in my practice were thought of in somewhat the
way I imagine a magician approaches the learning of a magic trick.
The trick or illusion was the important thing and the techniques
of realizing it were to become invisible. In some ways I was trying
to become invisible myself. That is, I didn't want to 'infect' the
image with any gestural evidence of the artist's presence; the final
image was to be "objective" and "real".
In a time of relentless and near-hysterical "doing" I think of my
artistic practice in terms of Heidegger's "being-in-the-world" and
the resulting works as, to quote Mark Kingwell, "slabs of existence".
These slabs are not pieces of equipment subordinate to the concept
of "usefulness" but are instead openings or spaces in which we are
called to remember what it means to be.
"Land
Marks" - August 30th to September 10th
Over Steve Mennie's art career he
has painted realism, impressionism and then abstraction. This new
series of paintings are done in pastel, of Okanagan scenes and brings
Steve back somewhat to his realism days.
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Land Marks I
Pastel on Paper
14 x 21 inches
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Land Marks II
Pastel on Paper
14 x 21 inches
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Land Marks III
Pastel on Paper
14 x 21 inches
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Land Marks IV - Canteloupe Hill
Pastel on Paper
14 x 21 inches
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Land Marks V - Red Building by Chase
Pastel on Paper
14 x 21 inches
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Land Marks VI - Scheidam Flats
Pastel on Paper
14 x 21 inches
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Land Marks VII - Sunset East of Kamloops
Pastel on Paper
14 x 21 inches
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Land Marks VIII - Big Horse on Bridge
River
Pastel on Paper
14 x 21 inches
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Stretched Truth
Acrylic on Panel
33 x 42 inches
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Abstraction IV
Acrylic on Panel
12 x 14 inches
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Abstraction III
Acrylic on Panel
12 x 14 inches
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Abstraction II
Acrylic on Panel
12 x 14 inches
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Abstraction I
Acrylic on Panel
12 x 14 inches
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Foreground and Background
Acrylic on Canvas
32 x 41 inches
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Making Do
Acrylic on Canvas
27 x 34 inches
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Something Fishy
Acrylic on Canvas
12 x 15 inches
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Plastic
Planes
Acrylic on Canvas
12 x 15 inches |
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Untitled A
Acrylic on Canvas
12 x 15 inches
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Green
Landscape
Acrylic on Canvas
12 x 15 inches |
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Photographic Element
Acrylic on Canvas
24 x 30 inches
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Letter Home SOLD
Acrylic on Panel
12 x 15 inches
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Each Other SOLD
Acrylic on Panel
12 x 15 inches
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Same Simulation SOLD
Acrylic on Panel
9 x 11 inches
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Long Distance Action SOLD
Acrylic on Panel
12 x 15 inches
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Ode to Gees Bend
Acrylic on Canvas
24 x 30 inches
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Crazy Horse SOLD
Oil on Panel
9 x 11 inches
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Dubious Space SOLD
Acrylic on Rag Paper
8 x 9 inches
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Landscape Like SOLD
Pastel on Rag Paper
18 x 24 inches
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Lipstick and Rockets SOLD
Oil on Canvas
38 x 48 inches
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Pastels
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Farm and Coal Cars
Pastel on Rag Paper
8 x 10 inches
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Hillside near Notch Hill
Pastel on Rag Paper
8 x 10 inches
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Recently I have begun to work with oils and my approach to the work
has changed significantly. I now feel that rather than making images
I am making paintings and instead of trying to hide or make invisible
the medium and it's tactile and visual possibilities I find that
it has become part of the 'content' of the work. I now have trouble
determining just where paint ends and image begins and furthermore
I'm enjoying it.
Serigraphs
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A Dairy Queen Dawn
Serigraph
12 x 21 inches
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Black, Blue and White Lake
Serigraph
12 x 18 inches
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Rock Bottom
Serigraph
16 x 16 inches
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C.P.R. Bridge
Serigraph
13 x 15 inches
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Wharf
Serigraph
8 x 20 inches
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Hidden Intersection
Serigraph
12 x 25 inches
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View from Railroad Bridge
Serigraph
8 x 18 inches
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