Robert Jenkins
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Artist Statement
In painting the wilderness, I try to convey its message, not a verbal
message that I can write down, but something more elusive that makes
sense before words. We are the products of a world that has and
still shapes us. In our artificial civilized environment, we lose
contact with our roots, our source of being. Living here, close
to nature, is a wonderful opportunity, to re-establish whom we are,
to discover our being, to understand ourselves better, and to perhaps
shape a better future. When I paint nature, I try to experience
it first, not just passively, but actively, so that it becomes for
me a friend. Allowing that friend to communicate through the painting
is a priority.
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Sun Laced Hills
Pastel
17 x 22 inches
$750
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Forces of nature - Cathedral Park
Pastel
22 x 30 inches
$1,200
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Glenfir
Pastel
22 x 25 inches
$1,200
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Heart of the Dragon - Squally Point
Pastel
30 x 22 inches
$1,200
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Kamloops Lake
Pastel
22 x 27 inches
$1,200
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Mount Hawthorne
Pastel
22 x 26 inches
$1,200
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Logic Dancing in the Forest (Duet)
Pastel
13 x 22 inches each
$780
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Thompson Valley
Pastel
18 x 24 inches
$975
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Shuswap Hills
Pastel
13 x 17 inches
$450
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Sorrento Hillside
Pastel
18 x 20 inches
$750 |
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Fertile Valley
Pastel
22 x 30 inches
$1,200
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Sunset at Squally Point
Pastel
22 x 30 inches
$1,200
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Clouds Covering Hills
Pastel
10 x 13 inches
$250
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Burnt Cottonwoods
Pastel
16 x 21 inches
$725 |
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Okanagan Baroque
Pastel
18 x 24 inches
$925
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Spring Returning, Okanagan Mtn. Park
Pastel
18 x 24 inches
$925
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Summer's Hills, Okanagan Mtn. Park
Pastel
18 x 24 inches
$925
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Winter Covered Hills, Okanagan Mtn. Park
Pastel
18 x 24 inches
$925
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Winter's First Dusting, Okanagan Mtn.
Park
Pastel
18 x 24 inches
$925
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Bear beach Morning
Pastel
19 x 24 inches
$925
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Tracy Arm, Alaska
Pastel
17 x 24 inches
$775 |
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Dance of the three Cedars SOLD
Pastel
19 x 23 inches
$925
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Goat Peak at Dusk
Pastel
18 x 24 inches
$925 |
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The Way Up, Mt Hawthorne
Pastel
23 x 17 inches
$675
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Forbidden Plateau
Pastel
24 x 18 inches
$975 |
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Hill Rythms, Okanagan Mtn Park
Pastel
16 x 25 inches
$975
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Rolling Hills, Okanagan
Mtn Park SOLD
Pastel
17 x 23 inches
$775 |
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Mystic beach at Dusk
Pastel
12 x 17 inches
$290
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Salmon River Valley
Pastel
18 x 24 inches
$875 |
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The Dragon's Back, Okanagan Mtn Park
Pastel
18 x 24 inches
$875
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Valemount Mountains
Pastel
13 x 17 inches
$450 |
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Conversations in Landscape
25 sketches
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Process
I often sketch in the wilderness, sometimes in pastels as well as
in pen and ink. Not everything lends itself easily to being recorded
thusly: changing light, rain, bugs, even wildlife can interrupt
my work. For larger, more finished work, I resort to a digital camera,
computer images, and a studio environment to aid my painting.
I do most of my studio work in pastel, as I like the responsiveness
and flexibility of the medium, along with its sense of material.
Being an experimentalist, I tend to work up my paintings in layers,
approximately at first, and more closely towards the end. Throughout
the painting, I find I need to reflect on the experience of 'being
there', in order to be true to the subject itself, rather than merely
reproducing a photo image. Another influence that exists for me
is the 'artistic impulse' to change something, to better convey
the feeling of the place, or sometimes just to produce a painting
that holds together and contains a rhythm. I do that sometimes.
So when I start, I cannot be sure of what I will end up with - but
it always manages to hold something of the original experience for
me.
Biography
Born Vernon, BC, I attended schools in Vancouver, Trail, and North
Vancouver, then UBC and U of Calgary graduating with a doctorate
in Cosmic Ray Physics in 1966. Throughout my growing up, I had always
drawn and painted, and, although I had chosen to follow my scientific
side in my professional career, art remained a strong interest.
I began painting seriously with oil paintings of landscape, mostly,
but with my move to the New England area and exposure to the New
York art scene, gradually shifted to large minimalist geometric
shaped canvases, and acrylic colour stains. I continued in this
vein when I moved back to Canada (Ottawa) to commence a career as
a radio communications scientist with the federal government. A
number of exhibitions later, with the pressures of career and a
young family, my painting was put on hold - I did not have the time
or energy to do it all. Now retired, and living in the Okanagan
I have been able to restart my artistic endeavors from a very different
perspective. I enjoy hiking in the mountains, and began by drawing
the things that I saw. From pen and ink, I moved into pastels, a
medium I had not used since childhood, and found the responsiveness
of that medium ideal for the present work. The earlier, abstract
works reflected an inner sense of order and harmony; my present
work in landscape is intended to celebrate the 'not always orderly'
message of nature. It is a voyage of discovery which never ceases
to surprise and delight.
Solo Exhibitions
2006 Artwalk, Lake Country
2005-6 Peachland Little Schoolhouse
2004-5 solo shows under the sponsorship of Kelowna and District
Arts Council, at Westbank and Kelowna Libraries, Cottonwoods Centre.
2003,4 'Conversations in Landscape' a time-lapse series of landscape
sketches, shown in Alternator Gallery Kelowna, and Vertigo Gallery
Vernon.
1978 an invited participant at 'Science in Art in Science' Ottawa.
1972,78 solo shows at Wells Gallery, Ottawa
1973 'Three Almonte Artists' - a joint exhibition with Juan Geuer
and Madeleine Moir
1970 two person show at Gallery One, Portsmouth, NH. with NH artist
Jane Kaufmann.
Collections
Work in collections in New Hampshire, Ontario, Calgary, and the
Okanagan.
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